INDIRECT OBJECTS

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“There’s a fabulous aggregate of extraordinary, iconic Australianisms in this book—a northern river meeting a night sea in a kind of dreamy humid methadone metaphor, the tropical erotic-exotica of Donald Friend’s Balinese pen drawings, Richard Lowenstein’s classic-80s rock film Dogs in Space alongside a junkie Darlinghurst Gauguin selling his drawings to get money to score in a poem for John Kinsella that proceeds by a seedy Sydney-urban philosophising and aspires to a better life, ‘Patrick White as a Headland’,  Charles Blackman, Francis Webb, and in Melbourne—a monologue from an Aboriginal boxer in Fitzroy,  freeze frames at St Kilda Beach, Swanston Street, Brunswick Street and so on.” —Pam Brown

Published by Vagabond Press and launched at the Sydney Writers’ Festival by Pam Brown, INDIRECT OBJECTS is an exploration of physical, psychological and linguistic topographies forming a poetic grammar. The indirect objects of the title are emergent states of experience, perception as language, the unarticulated “real” we encounter as strange and remote in even the most familiar forms of saying. The volume is divided into five sections – “Realism,” “Dark Mingus,” “Broadcast Graffiti,” “Zapata Retrospect,” and “Tür zum Nichts” – each concerned with an exploration of landscapes of fact. Armand’s poetry is populated by places, people, things whose existence describes a potential contained in language as singular and vital as they are.

ISBN 978-1922181633. 162pp. 2014.

Paperback / PDF

“Armand’s extreme gesture of deteritorialisation moves beyond the radical dislocations performed on their respective languages by both Kafka and Tsvetaeva.” (Vadim Erent)

“Armand is the international conduit for much of the dialogue that’s developing today. he is an internationalist, an innovator … he’s genre busting & on an “open” passport.” (John Kinsella)

“The language of ‘internally fissured realities’ is dense, sound-driven, and erudite. The territory being mined is somewhere between language and geography, but there is a stubborn (and tenaciously coherent) essay on the modern here, particularly modern art. The equally tenacious reader will be rewarded by a sober sensibility.” (Andrei Codrescu)

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